海因里希·沃尔夫林（Heinrich Wolfflin，1864-1945年），瑞士著名美术史家，著名学者雅各布·布克哈特的高足，被认为是继温克尔曼、布克哈特之后第三位伟大的艺术史家。沃尔夫林的艺术史研究关注普遍的风格特征，而不是对单独艺术家的分析，他把作品形式分析、心理学和文化史结合起来，力图创建一部“无名的艺术史“。主要著作有：《文艺复兴与巴洛克》（1888年）、《古典艺术》（1899年）、《艺术史的基本原理》（又译《艺术风格学：美术史的基本概念》，1915年）和《意大利和德国的形式知觉》（1931年）等。

In The Fold, Gilles Deleuze argues that Leibniz’s writings constitute the grounding elements of a Baroque philosophy and of theories for analyzing contemporary arts and science. A model for expression in contemporary aesthetics, the concept of the monad is viewed in terms of folds of space, movement, and time. Similarly, the world is interpreted as a body of infinite folds and ...(展开全部)

In The Fold, Gilles Deleuze argues that Leibniz’s writings constitute the grounding elements of a Baroque philosophy and of theories for analyzing contemporary arts and science. A model for expression in contemporary aesthetics, the concept of the monad is viewed in terms of folds of space, movement, and time. Similarly, the world is interpreted as a body of infinite folds and ...(展开全部)

"Renaissance Thought and Its Sources" presents the fruits of an extraordinary lifetime of scholarship: a systematic account of major themes in Renaissance philosophy, theology, science, and literature, show in their several settings. Here, in some of Paul Oskar Kristeller's most comprehensive and ambitious writings, is an exploration of the distinctive trends and concepts of th...(展开全部)

简介：不知何处的虚无中，无形的红色填补起空洞的躯体，以无比强烈的愤恨支撑起残破的身躯。视觉开始出现，眼前出现无数离奇的尘埃，飘散又重组。看向远处，四周的一切散发着夺目的光，并非无色，似乎可见又似乎不可见。在无数令人难以理解的奇观中，在扭曲崩坏的尘埃世界里，承载着灵魂的容器将钢的魂魄送往奇迹的无尽深渊。

简介：不知何处的虚无中，无形的红色填补起空洞的躯体，以无比强烈的愤恨支撑起残破的身躯。视觉开始出现，眼前出现无数离奇的尘埃，飘散又重组。看向远处，四周的一切散发着夺目的光，并非无色，似乎可见又似乎不可见。在无数令人难以理解的奇观中，在扭曲崩坏的尘埃世界里，承载着灵魂的容器将钢的魂魄送往奇迹的无尽深渊。

Man and Nature in the Renaissance offers an introduction to science and medicine during the earlier phases of the scientific revolution, from the mid-fifteenth century to the mid-seventeenth century. Renaissance science has frequently been approached in terms of the progress of the exact sciences of mathematics and astronomy, to the neglect of the broader intellectual context o...(展开全部)

Man and Nature in the Renaissance offers an introduction to science and medicine during the earlier phases of the scientific revolution, from the mid-fifteenth century to the mid-seventeenth century. Renaissance science has frequently been approached in terms of the progress of the exact sciences of mathematics and astronomy, to the neglect of the broader intellectual context o...(展开全部)

"Renaissance and Renascences in Western Art "spans the period from the 10th to the 15th century, including discussion of the Carolingian renaissance and the 12th century proto-renaissance. Erwin Panofsky posits that there were "reanscences" prior to the widely known Renaissance that began in Italy in the 14th century. Whereas earlier renascences can be classified as revivals, t...(展开全部)